Tom Singleton is an Executive Producer working with A-list talent to deliver live events, broadcasts, touring productions and press junkets that audiences actually remember.
Live production is about decisions. Thousands of them, made quickly, in rooms where everything is already moving. Tom builds calm into that process. Precision creative direction, ruthless logistics, and the kind of relationships that make A-list talent say yes. One producer. One standard.
Tom Singleton is an Executive Producer working across live events, broadcasts, touring productions and press junkets. For more than a decade he has sat in control rooms and green rooms, collaborating with A-list talent, broadcasters and global brands on productions that run in front of live audiences and cameras simultaneously.
His approach is practical and relentless. Tom is on the floor during load-in, in the gallery during broadcast and on the phone when things need moving at 3am. It is that founder-led energy, inherited from his wider work across The Tom Singleton Group, that clients come back for.
Beyond producing, Tom also heads up a portfolio of logistics, transport and e-commerce businesses, giving every production he touches the operational backbone of a group with proper infrastructure behind it.
Six recent production credits. Private concert seasons, corporate galas, outdoor festivals, original interview IP and exclusive broadcast interviews. Each one its own universe, all held to the same standard: a show that runs live, every time.
Executive Producer, five-year run
Executive Producer across Creative, Production & Talent
Producer across Talent, Filming & Post
Executive Producer across Full Production & Programme
Producer across Talent, Crew & Output
Executive Producer across Creative, Production & Talent
Tom can come in as full executive producer on your show, or lead a specific strand of work where the right pair of hands makes the difference between average and unforgettable.
End-to-end ownership of the creative, financial and operational success of a live show or broadcast.
From intimate showcases to festival-scale stages, delivered in venues that demand zero surprises on show day.
Live-to-air and as-live television productions where schedule, audience experience and transmission all have to land together.
Junket and press-day production for studios, broadcasters and brands. Talent-first, camera-ready, day-one-to-air.
Every production is different, but the discipline isn't. The goal is always the same: an audience that leaves better than they arrived, and a client who comes back.
Strip the brief back to the one thing that actually matters. Pressure-test the creative, the budget and the talent commitments before anyone signs anything.
Stand up the team, the plan and the contingency. Every supplier briefed, every timeline stress-tested, every rights conversation closed early.
On site, on headset, on it. Tom is in the room when the red light goes on, making calls in real time so the audience never sees the seams.
Live. On air. On the night.
Whether it's a tour, a broadcast, a brand activation or a press day with A-list talent, Tom is taking enquiries for the 2026 and 2027 seasons.